We make films, shorts and commercials with AI. Yes, that AI. Slop comes with the territory, and there is no point pretending otherwise. We just do it better than most. The tools keep moving, so we keep moving: twenty years of motion design, VFX and live action, sharpened for whatever ships next.
What we do
Nothing here gets handed off. The people who write the prompt are the people who cut the picture, so the film never has to be explained twice. Nothing ships that a human did not choose, frame by frame.
The rig
No model is good at everything, and anyone claiming otherwise is selling one. We run them against each other on the same shot, keep whatever wins, and drop it the week something better ships. No loyalty, no licences.
The tool
Push it as far as it goes. The stupid idea, the forty-first take, the version nobody asked for. Slopdash is what makes that affordable instead of reckless. It holds the whole mess in order, and it keeps your name on the frame that won, six weeks after you have forgotten why it won.
Who makes it
Founder · Director · VFX Supervisor
Graphic design, colour and frenetic cutting. Paris, then Los Angeles. Twenty years supervising VFX taught him that the tool is never the film, so he builds the rig the films run on, and directs on it.
Director · Painter · Photographer
From New York to Bangkok. Film, painting, photography, graphic design. A frame is composed before it is generated. The model proposes forty takes; he is the one who says which single one is the film.
Track record
Studios, agencies and clients are all climbing onto the AI train at once, and everyone is learning it on the way up. Some love it, some hate it. We work in the middle. We have worked closely with Laundry, on Washington Lottery and Endeavor, and with Teamwin Studios. Both of them run commercial and VFX production week in, week out, which tells you more about where this is going than the argument about it does. Behind them, twenty years on other people’s films: Nike, Apple, Google, Honda, Amazon and Meta out of Laundry; Disney, the NFL and Nat Geo out of Big Machine; Logan, Ntropic, Charlie Co and Nice Studios along the way. The name is new, the hands are not. New projects welcome, wherever you are on the curve.
Films, campaigns, images nobody has shot yet. Tell us what it is. We answer everything, even the weird ones.
Or write to contact@superslop-productions.com